Pierre-Auguste Renoir

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.


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Pierre-Auguste Renoir The Swing (mk09) oil


The Swing (mk09)
Painting ID::  21455
The Swing (mk09)
1876 Oil on canvas,92 x 73 cm Paris,Musee d'Orsay
1876 Oil_on_canvas,92_x_73_cm Paris,Musee_d'Orsay
   
   
     

Pierre-Auguste Renoir Two Girls (mk09) oil


Two Girls (mk09)
Painting ID::  21460
Two Girls (mk09)
c 1881 Oil on canvas,80 x 65 cm Moscow,Pushkin Museum
c_1881 Oil_on_canvas,80_x_65_cm Moscow,Pushkin_Museum
   
   
     

Pierre-Auguste Renoir The Painter Sisley and his Wife (mk09) oil


The Painter Sisley and his Wife (mk09)
Painting ID::  21487
The Painter Sisley and his Wife (mk09)
1868 Oil on canvas,105 x 70 cm Cologne,Wallraf-Richartz-Museum
   
   
     

Pierre-Auguste Renoir bal au Moulin de la Galette (mk09) oil


bal au Moulin de la Galette (mk09)
Painting ID::  21488
bal au Moulin de la Galette (mk09)
1876 Oil on canvas,131 x 175 cm Paris,Musee d'Orsay
1876 Oil_on_canvas,131_x_175_cm Paris,Musee_d'Orsay
   
   
     

Pierre-Auguste Renoir La Premiere Sortie (The First Outing) (mk09) oil


La Premiere Sortie (The First Outing) (mk09)
Painting ID::  21489
La Premiere Sortie (The First Outing) (mk09)
c 1876/77 Oil on canvas,65 x 49.5 cm London,Tate Gallery
c_1876/77 Oil_on_canvas,65_x_49.5_cm London,Tate_Gallery
   
   
     

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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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